In Spiral, they’re asked to invest their attention fully into Zeke’s character and his journey of discovery, even though his plot and character aren’t developed enough to warrant that attention. Viewers are no longer merely indulging in escapist torture-titillation, or deepening their understanding of a killer. Given that Rock is one of the most recognizable actors in the series, this does change the mood of the film. But Spiral’s view is always squarely on Zeke. This isn’t exactly a police procedural, since there’s very little investigation, and each clue is literally delivered to the police station. But the deaths are framed through Zeke discovering them, and his excavation of the case. Bousman and the writers do linger on the kills, showing the victims suffering beat by beat through their personally designed hells. Unlike other Saw films, Spiral focuses almost entirely on the police officers, and not the victims or killers. Spiral runs at a tight 93 minutes, and yet it keeps blowing time on callbacks to this conversation or to other plot points, explicitly showing, again and again, what would be easy to recall independently. They repeatedly flash back to this exchange, to remind the audience what was said. This sort of plot-vomit can be useful for quick-and-dirty explanations of premise and character motivation, but Bousman and writers Josh Stolberg and Pete Goldfinger never seem confident that their audience will remember the details. Jackson) is a decorated retired captain whose shadow Zeke will never escape. That dressing-down turns into a scene of backstory and exposition, revealing Zeke’s history of turning in corrupt cops, the reasons he can’t trust other officers, and the fact that his father (Samuel L. Zeke is brought in to answer to his captain, Angie (Marisol Nichols), for disobeying his assignment to the homicide squad. The rest of the film follows Chris Rock as detective Zeke Banks, who’s going undercover with a group of criminals who are targeting another group of presumed criminals in a hotel room, before making a nearly smooth getaway.
SPIRAL BOOK OF SAW DEATHS SERIES
The tension and blood flow start strong in Spiral, which is one advantage for series fans.
When they reach the tracks, it becomes clear that the pursuit was a ploy to lure Boswick into a premeditated setup, and he isn’t long for this world. Detective Boswick ( Letterkenny’s Dan Petronijevic) follows a thief down into an underground train tunnel, gun drawn, so he can enforce the law and save the day. Like many of the other Saw films, Spiral starts with an excruciating death.
SPIRAL BOOK OF SAW DEATHS MOVIE
The roots of the Saw empire are more an ultraviolent version of Thornton Wilder’s classic play Our Town than they are random killings.īut Spiral is a watered-down version of the core elements that make a Saw movie into a Saw movie. In Jigsaw’s eyes, drug addicts and corrupt cops deserved punishment, but his plans always included some thin veneer of redemption and education, however impossible or painful those lessons might be. Initially, Jigsaw’s targets were people who had either given up on appreciating the gift of life, or powerful but crooked people who’d lost interest in maintaining fairness and justice. In those chapters, he oversaw the death of Jigsaw, the rise of his co-conspirators, and the height of the torturous Rube Goldberg contraptions that made the Saw series infamous for its complicated, overplanned methods of killing people Jigsaw deemed no longer worthy of life. Spiral is directed by Darren Lynn Bousman, who also directed Saw II through Saw IV. It doesn’t share any of its characters, motives, or histories with the franchise, and that inconsistency leaves a gaping hole in Spiral that isn’t filled in with anything proportionately interesting. While Spiral takes place long after Jigsaw’s death, in the same city where he did his killing, the connections to the throughline end there.
SPIRAL BOOK OF SAW DEATHS SERIAL
Spiral is the ninth film in its series, but as the subtitle From the Book of Saw indicates, this edition isn’t part of the long continuity of stories about the serial killer Jigsaw - it just takes place in his universe.
Much like the twisting spirals that serve as one of the Saw series’ most recognizable motifs, the franchise is slowly moving away from its core.
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